igrapher,Painter,andClllector,”inSelectedEssaysonCourtCultureinCross-CulturalPerspective,editedbyLinYaofu,Taipei:TaiwanUniversityPress,pp.133—69.关于宫廷诗人写赞颂诗,参见FushengWu(吴伏生),WrittenatImperialCommand:PanegyricPoetryinEarlyMedievalChina,Albany,NY:SUNYPress,2008.
[2]《铁围山丛谈》卷二,27—28页。《独醒杂志》卷四,36页。
[3]诸葛忆兵《徽宗词坛研究》,北京:北京出版社,2001年。关于词人周邦彦,参见JamesJ.Y.Liu(刘若愚),MajorLyricistsoftheNorthernSung,Princeton:PrincetonUniversityPress,1974,pp.161—194;JamesR.Hightower(海陶玮),“TheSongsofChouPang-yen,”HarvardJournalofAsiaticStudies37,no.2,1977,pp.233—72.RonaldC.Egan,TheProblemofBeauty:AestheticThoughtandPursuitsinNorthernSongDynastyChina,Cambridge,MA:HarvardUniversityAsiaCenter,2006,pp.330—347.【艾朗诺《美焦虑:北京士大夫审美思想与追求》,杜斐然等译,上海:上海古籍出版社,2013年】
[4]JamesM.Hargett,“SongBiographies,SupplementaryN.1:ChenYuyi(1090—1139),”JournalofSung-YuanStudies23,1993,pp.113—114;RonaldC.Egan,“TheEmperorandtheInkPlum:TracingaLostConnectionnetweenLiteratiandHuizong’sCourt,”pp.118—122.
[5]《挥麈录·后录》卷四,121—124页。《清波杂志》卷六,245—246页。《初寮集》卷,叶6a—1
请关闭浏览器阅读模式后查看本章节,否则可能部分章节内容会丢失。